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The Wall
400 years ago, a quarry at Cape Manazuru, a headland on the south-western edge of Kanagawa Prefecture, provided stone for the walls of Edo Castle (now the Imperial Residence). The remnants of the site have been left undisturbed by human hand. The headland was created hundreds of thousands of years ago by lava from an erupting Mount Hakone. Here, in the time of the shogun Hidetada Tokugawa, stone hewn from the naturally formed rock was cut, loaded onto ships and carried to Edo Castle. This kind of scene, if it included stonecutters, samurai and sailing ships moored on the beach, might feel as quintessentially Japanese as the ukiyo-e of Hiroshige Utagawa. What I focused on, however, was the shapes given to the rocks, traces left by stone-cutting, rocks washed by the waves and other aspects of the geological environment. These may not seem specific to this or any other country, but they can give us a sense of human activities at that time. There do not seem to be many sites in such an undisturbed state as this quarry left in Japan. And today, in the area around Edo Castle, rows of buildings stand like walls, as if symbolizing the centuries-long urbanization of Edo-Tokyo.- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
- The Wall | Photographs by Masato Ninomiya
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Eden
The American novelist Mark Twain, best known for his The Adventures of Tom Sawyer, also wrote some short stories called The Diaries of Adam and Eve. As I read them, I saw the Garden of Eden, from which Adam and Eve were banished for eating the forbidden fruit, not as a Biblical reference but as something that can stand for Planet Earth and our natural environment today. What do we have here - a utopia or a dystopia? In ancient Japan, people believed that the gods dwelt in all things. Yet there are places where, although trees grow there in abundance, large quantities of waste are buried in the ground and attempts to restore the land are presently under way. I don’t suppose that this series will lead to some sort of solution to this problem. One thing we can say is that even seemingly untouched natural landscapes have been altered by human hand. Aren’t these altered landscapes just as good as natural ones?- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
- EDEN | Photographs by Masato Ninomiya
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Wintertag
The wintertag (A winter’s day) series is one of the winter landscapes in Japan. This series is an ongoing project, which started in January 2014. These are photos at the foot of Mount Fuji and my hometown (central Kanagawa prefecture / An area along the Sagami River). Lake Yamanaka at the foot of Mount Fuji is approximately 70km from my hometown. In my hometown, it rarely snows however, Lake Yamanaka freezes every year. In November 2016, it snowed for the first time in 54 years in my hometown. The Lake Yamanaka is the headstream of the Sagami River and it is the only lake with natural debouch into the rivers among the Five Lakes of Mount Fuji. These landscapes are simplified by snow, captured simply and minimally. Latest shooting date: January 07 2022 *Incl. Sub-series "The misty road".- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- Wintertag | Photographs by Masato Ninomiya
- The misty road | Title
- The Misty Road | Photographs by Masato Ninomiya
- The Misty Road | Photographs by Masato Ninomiya
- The Misty Road | Photographs by Masato Ninomiya
- The Misty Road | Photographs by Masato Ninomiya
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Borderland
America in Kanagawa | There are dotted with US naval facilities in Kanagawa where I live. Of these US Radio Transmitting Facility Kamiseya in the suburbs of Yokohama was drawn off and the land was returned in 2015. The site area was 242ha. Cherry blossoms were planted along the surrounding highways as a sign of friendship. This part of the square opened to the public during the first week of April, despite the former border fence, the crossing is still prohibited. It is planned to attract an International Horticultural Exhibition which will be held in 2026, on the site of this US naval facility. After that, there is a plan to build a big theme park. The purpose of this photo series is to record one part of the history of Japan and the history of Kanagawa where the landscape will soon be reborn. This series is an ongoing project, which started in April 2019 / Part II: US Army Sagami General Depot (Return of the land in 2014. 17ha) at Sagamihara, Kanagawa.- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
- Borderland | Photographs by Masato Ninomiya
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Coastline
This photo series focuses on the area that extends underneath the Seisho Bypass along the Seisho Coast and National Route 1. The Seisho Coast is usually a quiet place with few people around, familiar to locals as a fishing spot and a walking route for large dogs. At the same time, coastal erosion due to natural processes has progressed. Some areas have lost as much as 45 metres of sand beach in the last 65 years, and the seawater pools at Hiratsuka and Kozu have recently been closed. In the Ninomiya area, a typhoon washed away the beach and caused a section of the Seisho Bypass to collapse in 2007. Currently this area has an artificial sand beach. At Kozu the pier structure of the Seisho Bypass is being eroded by waves, and tetrapods are becoming increasingly common here. I decided to make a photographic record of the appearance of this coastal area that has been restored by humans. Another purpose of this photo series is to make a comparison between Hiroshige’s depiction of Hiratsuka, Oiso and Odawara in "The Fifty-Three Stations of the Tokaido", and how these three places look nowadays. This series is an ongoing project, which started in September 2018.- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
- Coastline | Photographs by Masato Ninomiya
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Reincarnation 終の住処
This personal photo story is an ongoing series, which started in 2010. These photos are at my parents’ house and surrounding countryside the Izu peninsula. My father said, "When I retire, I'd like to spend the rest of my life in the Izu peninsula". In 2010, my father bought a house in the Izu peninsula. Mountain-burning on the Mt. Omuro is one of the events of the Izu peninsula. It will be carried out in February every year for refreshment of grasses. I think it to be reincarnation (A never ending cycle of life). It is the last place that my parents live. *The paper airplane that my father handed to my mother is the contract sheet of this house. Latest shooting date: November 2022- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
- Reincarnation | Photographs by Masato Ninomiya
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Tokyo 2020
“You keep that,” said my dad. It was a copper medal commemorating the 1964 Tokyo Olympics, which were held before I was born. The second Tokyo Olympics was planned to take place 56 years after the first, in 2020. But the Covid-19 pandemic broke out at the start of the year, and the Games were rescheduled for 2021. In Japan, where the law does not allow lockdowns, states of emergency were repeatedly declared in the major cities. At present, with three months to go before the Games are due to start, the majority of Japanese citizens are still unvaccinated, while the Japanese government’s line is that the Olympics will go ahead. This short documentary series is intended to allow us in future to look back on the once-in-a-lifetime year of the planned Tokyo Olympics. | Latest update: March 04 2022- Tokyo 2020 | Photographs by Masato
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
- Tokyo 2020 | Photographs by Masato Ninomiya
Still Life
Masato Ninomiya photography